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多余的設(shè)計(jì)，合肥蜂巢城市會客廳｜U.N.I.D

UED期刊

2022-04-27

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項(xiàng)目詳情

{多余的設(shè)計(jì)，合肥蜂巢城市會客廳｜U.N.I.D} 項(xiàng)目位于 {中國安徽合肥} ，項(xiàng)目規(guī)模 {400平方米}，屬于 {商業(yè)空間-會所設(shè)計(jì)} ，項(xiàng)目風(fēng)格定位為 {現(xiàn)代簡約} ，設(shè)計(jì)時(shí)間從 {2018-09到2019-01} , {不自然空間環(huán)境設(shè)計(jì)（顧問）事務(wù)所（U.N.I.D）} 接受委托，歷經(jīng) {122} 天圓滿完成設(shè)計(jì)任務(wù)，如果您對該團(tuán)隊(duì)設(shè)計(jì)感興趣，請點(diǎn)贊和評論將項(xiàng)目推薦到網(wǎng)站首頁及項(xiàng)目頻道列表首位，更多的設(shè)計(jì)師將因您受益，期待您在線留言或者來電預(yù)約咨詢。

{2019-04} 項(xiàng)目已竣工完成，呈現(xiàn)的效果得到業(yè)主單位的高度贊譽(yù)。

項(xiàng)目的名字叫“多余的設(shè)計(jì)”

它是聚合的場所

它可以成為交流、工作、藝術(shù)展覽、聚會的用途

橢圓的場地、四面通透

能給大家留下記憶的

只有建筑本身的結(jié)構(gòu)和窗外的湖面

希望呈現(xiàn)出具有臨時(shí)性空間美感的同時(shí)又打破建筑原貌的場所

一個(gè)不希望被看到裝飾的場所

一個(gè)強(qiáng)調(diào)在空間中關(guān)注交流的場所

It is a integrating place

that can be used for communication, work, art exhibitions and gatherings

The elliptical venue is transparent on all sides

The only impressive thing that can leave you memories

is the structure of the building itself

and the lake outside the window

We expects to present it with a temporary space aesthetic

while breaking the original look of the building

A place that no decoration is expected to be seen

A place that emphasizes communication in space

——不自然空間環(huán)境設(shè)計(jì)(U.N.I.D)

U.N.I.D所倡導(dǎo)的設(shè)計(jì),首先需要回歸空間的性格,當(dāng)它已經(jīng)足夠可以帶來體驗(yàn),設(shè)計(jì)的工作就變得沒有那么強(qiáng)烈,在我們看來甚至是多余的。

場所中的精神內(nèi)核,來自于空間中的獨(dú)立島臺,我們將它視作到達(dá)未來的裝置入口。

The spiritual core of the place comes from an isolated island in space, which is taken by us as the entrance to the future facilities.

The design advocated by U.N.I.D first needs to return to the character of space. When it is enough to bring the experience, the design work becomes less intense, which becomes even redundant in our view.

▲獨(dú)立島臺 ?U.N.I.D

場所中的材料,采用建筑剩余材料制作完成,這讓它有了內(nèi)在的生命基因,從而實(shí)現(xiàn)完整獨(dú)立的精神意義。

The materials in the site are made of the surplus materials of the building, which gives it the inherent life genes to achieve a complete and independent spiritual significance.

▲實(shí)景可見材料的使用 ?U.N.I.D

不使用多余的設(shè)計(jì)方法,甚至色彩表現(xiàn)。讓空間變得緩慢、老舊、粗獷。從而使場所精神的力量更接近人的情緒釋放,我們把這種情緒理解為未來的孤立感。

“臨時(shí)性”的美感是相對的,是與場所使用過程顯現(xiàn)的感受形成的悖論。

與常規(guī)認(rèn)知的空間舒適感相悖,使人的溝通和場所向外的情緒張力最大程度地體現(xiàn)出來。

Not using the redundant design methods or even color performance makes the space slow, old and rough. Therefore the power of the place spirit is closer to the release of people's emotions, which we understand as the emotion of isolation in the future.

The beauty of “temporary” is relative and is a paradox formed by the feelings that appear in the use of the place.

Contrary to the spatial comfort of conventional cognition, the external emotional tension of the human communication and the place is maximized.

▲項(xiàng)目實(shí)景 ?U.N.I.D

在設(shè)計(jì)過程中,U.N.I.D對材料的理解很直接,最大限度地使用多余和可降解的廢置材料,不影響建筑結(jié)構(gòu)的涂裝,靈活的場所組織機(jī)能,體現(xiàn)我們對隱性不自然狀態(tài)的思考,這讓最終呈現(xiàn)出的場所有了自然顯性的表達(dá)--人、物、域的重疊共生。

In the design process, UNID’s understanding to materials is straightforward, maximizing the use of redundant and degradable waste materials, does not affect the painting of the building structure, the flexible site organization ability, reflecting our thinking about hidden and unnatural conditions. This allows the final presentation of the place to have a natural dominant expression - overlapping symbiosis of people, things and domains